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Erauso Lieutenant Nun Essay

You know you’re in for a bumpy ride when you pick up an autobiography only to find that the author kills someone in a bar fight roughly every 5-6 pages. Such is the life of Catalina de Erauso, whose madcap disguised-as-a-man travels across South America come across like a 17th century episode of Cops. Her cycles of kill/hide/escape/repeat are so frequent that her story jumps rapidly from off-putting, to cartoonish, to… intriguing. For it’s only when one gives Erauso’s story a deeper inspection that her true cleverness reveals itself – after all, it’s not your everyday thug who is able to gin up a meeting with the Pope and get special dispensation to crossdress. More on that later.

Erauso started out her once-upon-a-times with a prison break and a clothing swap. Cooped up in a Spanish convent since from the age of 4, Erauso gradually grew more frustrated with her lack of freedom, not to mention the regular beatings from the nuns. So at age 15 she escaped her holdings, grabbing fabric to spin herself up a new costume, and thus a new identity. She was, however, not interested in Cinderella-ing herself up a pretty dress and a regal life: instead, Erauso made some dudes’ duds and took on the name “Francisco de Loyola.” She then set about chasing her dreams – which were apparently to drink, fight, and womanize.

She had the strength to chase her dreams – which were apparently to drink, fight, and womanize.

It cannot be stressed enough that, by today’s standards, Erauso was gleefully amoral, as was virtually the entire world she traveled in. The invasion of the conquistadors was still within living memory, for crying out loud – she was not a nice person, but neither was anyone else. So with that in mind, on to her adventures:

One of her most recurrent escapades was to kill someone, then seek sanctuary in a church. This started out at age 18 (or 11, depending whose version of birth year you buy) when she went to the theater, and a guy was rude to her, threatening to slice her with his sword. The next day, she used a whetstone to make a sawtoothed blade, hunted him down, and slashed him up. This came to a head months later, when he came back for revenge. She killed him and several of his friends, then ran to a church to seek sanctuary until the heat died down.

Evidently staying in the church until the heat died down suited her quite well, since she did it over and over again. Later she joined the army, getting put under the command of her brother (who didn’t recognize her). After banging his mistress for three years, he found out, they fought, she fled into a church, and… sanctuary! Later, she stabbed an army buddy in the chest over “a small misunderstanding” (gambling was involved). When a judge interceded, she sliced him in the face. Then she ran into a church, sanctuary! A year later, killed another dude over cards, fought the police, church, sanctuary! You get the picture.

An aside – I’ve mentioned her escapades with her brother’s mistress. This was not an isolated incident:

  • Age 18: she romanced her boss’s mistress, to the point where said mistress cornered Erauso and demanded they sleep together. Erauso claimed she then “had to smack her one” to escape. Erauso then skipped town to Lima.
  • Once in Lima, she flirted with her new boss’s sister-in-law, combing her hair and running a hand “up and down between her legs.” This got Erauso fired.
  • Later, she got engaged to two separate women at the same time. When things progressed too far, she skipped town, right before marrying one of them. Evidently nobody ever knew she was a woman throughout any of this.

Back to her life in and out of the churches: after the judge-slicing, she stayed in a church for six months, surrounded outside by soldiers waiting to arrest her. She only left at the six-month mark to engage in a nighttime duel as a friend’s second. After killing her opponent, she realized it was her own brother, the army commander. This depressed her for almost a year (she wasn’t a monster). This is, in fact, the closest she gets to true introspection in the entire tersely-worded book.

Her retaliation, which boiled down to “stab him in police headquarters in broad daylight,” didn’t work out very well.

Over the years, her usage of the church grew to be incredibly cunning. Years later, she was sentenced to death for killing a sheriff’s servant. This had not been her brightest hour: the servant had insulted her, yes, but her retaliation, which boiled down to “stabbing him in police headquarters in broad daylight,” hadn’t worked out very well. So, sentenced to death and taking last communion, she spat it out and started yelling, “I CALL ON THE CHURCH” — apparently demanding to give her confession in a church. The pious townsfolk escorted her to the church, where she pleaded sanctuary and refused to leave. A month later, she skipped town.

In fact, it was through her usage of the church as a “get out of jail free” card that her secret came out. After killing several more cops (at this point it’s hard to even keep track of why) and taking sanctuary again, she realized she was in deep trouble this time. So she confessed to the bishop that she was actually a woman, and gave him a somewhat sanitized account of her life. Somewhat skeptical, the bishop called in some old women to, uh, verify her claims. Not only did they do so – but they reported back that she was still a virgin.

This was, evidently, a big deal. Erauso’s intact hymen somehow wiped clean the previous two decades of murder, and the 35-year-old was declared a blessed individual, provided she devote herself to god. She did so, eventually even making her way to Pope Urban VIII, who gave her special leave to pursue her life in mens’ clothing. He did, however, chide her to not harm anyone else, taking special time to remind her of the Do Not Kill commandment.

After this brief international bout of fame, during which time she wrote her autobiography, Erauso ran out the rest of her life in relative quiet – although she did cut one more guy in the face over a game of cards, for good measure. One of the last anecdotes she gives in her autobiography is of her meeting a cardinal, who remarks, “your only fault is that you are a Spaniard.”

“With all due respect,” she replies, “that is my only virtue.”

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Art Notes

  • I didn’t know exactly what pronoun to use for Erauso, so I looked into what a lot of feminist scholars used. Turns out a most of them didn’t know what to use either. In the book, Erauso switches regularly from using male indicators to female indicators, whenever it suits her purpose (she’s a crafty devil). One academic went so far as to switch pronouns every sentence, which… was confusing. The vast majority of papers settled on female pronouns, mostly due to her proclamation late in the book that she was a woman (something she never denied, just hid). I’m no expert in such matters, so I’m deferring to majority expert opinion here.
  • This is an extremely abbreviated overview of Erauso’s life. Her autobiography is short and easy to find, and I highly recommend it. I didn’t even mention her stealing from her uncle, her super-problematic attitudes regarding Native Americans, her deadly battle with a huge man named The Cid (where her cover was blown on a smaller scale), the tale of the blind-eyed horse, or any of her other numerous fights with cops. The whole thing is written about as matter-of-factly as humanly possible, and it’s a tremendously fun read. Check it out.
  • Lastly, her autobiography is probably best to be taken skeptically. It was written in 1626, but not recovered and published until the 1800s. Regardless of whether some of the gorier details are accurate, the broad outlines of her life are verifiable, and the insight on culture at that time is generally true to life.
  • She’s here depicted running into a church for Sanctuary, while Pope Urban VIII in the background puts up his hands in frustration at her consistent lawlessness.
  • The cards she’s spilling everywhere are a very early Spanish variant of playing cards. You’ll notice there’s some duplicates, indicating she was cheating. She never says anything to that effect in her autobiography, but I imagine she probably did cheat.
  • The church she’s running into is one in La Plata, one of the areas in which she traveled. It was built in the 1800s, but I’m pleading artistic license on this one.
Enjoy the art?You can get it as a phone case!
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Shout-outs

This one was difficult on you all! I am pleased.

Aly Caviness, Arabella Caulfield, @platypusunicorn, Alana Ju, @cathrinerose, Rhosyn, @thenorthpohl, Jussi Hattara , @hanniex33, IAMKAMI, Megan McF, Gigi Paderes, neferneferuaten, megaera, authorintraining, Mandi, and wynndrosinger (who only got it after sending in twenty different guesses. >_< come on, now…!)

 

The previous hint was:

Despite what her biography title might suggest, she did not actually lead a platoon of nuns.

Next Time on Rejected Princesses

This ancient woman (or horse?) was given an iron leg — possibly the first one ever — to keep her going.

The Creation of Masculinity

Catalina’s ability to transform herself into a man and live undetected for more than two decades suggests that gender is constructed, not innate, and that masculinity can be created. Throughout her memoir, from her teen years until her forties, Catalina builds up her masculine façade. She emphasizes only the qualities in herself that would be identified as traditionally masculine, and she omits any characteristics that would be deemed female. Catalina is no longer the victim of violence, as she was as a child and teenager; now she is combative and violent and kills many men. She is boastful and aggressive in a conventionally masculine manner, and her life as a soldier only reinforces these masculine traits. Her training as a warrior also helps her make decisions quickly, without weighing the consequences of her actions.

Her machismo is never more apparent than when she kills one of her fellow lieutenants for calling her a “cuckold,” that is, a man whose wife is sexually unfaithful. This is an insult that is designed specifically to be leveled at a man—and Catalina has embraced her masculine alter-ego so thoroughly that she is willing to kill to defend her male honor. In deciding to dress as a man, Catalina learns how much of traditional masculinity and violent behavior is a construct, for she makes herself into a bold and violent killer by the force of her own determination. After living as a man for more than two decades, there are almost no traditionally feminine characteristics apparent in Catalina’s personality.

The Importance of a Relationship with God

Although Catalina’s relationship with God fluctuates throughout her life, she always sees religion and God as avenues to forgiveness, redemption, and, sometimes most important, rescue. Although Catalina does not appear to be particularly devout, religion infuses her character, and she often credits God for helping her out of tight situations. Yet Catalina turns to God only out of sheer desperation. She visits a church only when trying to escape arrest and imprisonment, and she gives thanks to God only in moments where her life is at risk. Her vision of God seems to be of a benevolent being who allows her to escape punishment for her crimes, which is why she often flees to a church or cathedral immediately after committing a crime, in order to escape retribution. Despite her unwillingness to write about her relationship with God except in crisis, Catalina’s religious beliefs are clearly integral to her character. Her belief that God is responsible for allowing her to escape punishment for her crimes relieves her of guilt and frees her to continue her criminal lifestyle.

The Power of Disguise

Throughout Lieutenant Nun, disguise gives Catalina power. When she leaves the convent, clothing is her disguise and means of changing her gender identity. This disguise and the bravery that donning it requires are the most important factors in her escape, as well as in assuring her safety. Not only does her disguise allow her to camouflage herself as a man, but it also allows her to feel masculine enough to develop a male persona. As a teenager, Catalina explores whether her disguise will fool others. When neither her aunt nor her father recognize her, Catalina risks going back to the convent, where she eludes detection by her mother and, presumably, the nuns and novices with whom she had spent eleven years. Catalina clearly intends this return as a test to bolster her confidence, and she passes easily. Her attitude is as vital to her disguise as her clothing is. Catalina also uses a disguise to change more than just her sex. She changes identities when it suits her and gives false identification many times when being pursued by the law. Catalina views her external identity as fluid, and she uses this fluidity to her advantage.

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